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Andrei Oisteanu Gradina De Dincolo Pdf 15: A Review of the Book on Zoosophia
Andrei Oisteanu is a Romanian historian, ethnologist and writer who has published several books on topics such as religion, mythology, folklore and literature. One of his most recent works is Gradina de dincolo. Zoosophia (The Garden Beyond. Zoosophia), which was published in 2012 by Polirom. The book has 248 pages and belongs to the category of Romanian Philosophy.
The book explores the role and symbolism of animals in various cultural and religious contexts, from ancient times to modernity. Oisteanu analyzes how animals are endowed with magical powers in myths, religions or superstitions, and how they appear in different forms: as mythical parents, gods or messengers of gods, spirits of vegetation, etc. He also examines the relationship between humans and animals, as well as the ethical and ecological implications of zoosophia.
Zoosophia is a term coined by Oisteanu to describe the \"wisdom of animals\", which he defines as \"the knowledge that humans acquire from animals or through animals\". He argues that zoosophia is a universal phenomenon that transcends geographical and historical boundaries, and that it can be found in various domains of human culture: art, literature, science, medicine, etc.
One of the most interesting chapters of the book is the one dedicated to the interpretation of Harap Alb, a famous Romanian fairy tale written by Ion Creanga. Oisteanu proposes that the story can be read as an allegory of initiation, in which the hero undergoes a spiritual journey of perfection and purification, passing through several stages of initiation - the trials he faces - until he reaches the state of initiate, represented by his coronation and marriage with the daughter of Red Emperor.
Oisteanu's book is a fascinating and original contribution to the study of animal symbolism and zoosophia in Romanian culture and beyond. It is based on extensive research and documentation, drawing from various sources: myths, legends, folktales, proverbs, riddles, songs, rituals, customs, beliefs, etc. The book is also written in an accessible and engaging style, with numerous examples and illustrations that make it enjoyable for any reader interested in this topic.
If you want to read the book in full, you can use the buttons below to navigate to the online bookstores that sell Gradina de dincolo. Zoosophia in physical format. You can also read some pages of the book in PDF format (click on the link below). The book costs 24.95 lei at Booknation.ro.
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Another aspect that Oisteanu discusses in his book is the role of animals in the formation of human identity and culture. He shows how animals are used as symbols of social groups, such as clans, tribes, nations, etc., and how they reflect the values and characteristics of those groups. He also analyzes how animals are involved in the processes of differentiation and integration, as well as in the dynamics of conflict and cooperation, between human communities.
For example, he examines the case of the wolf, which is a controversial and ambivalent animal in Romanian culture. On one hand, the wolf is seen as a negative and dangerous creature, associated with evil, violence, hunger, cold, etc. On the other hand, the wolf is also admired and respected for its strength, courage, loyalty, intelligence, etc. The wolf is also a symbol of Romanian identity and history, as it appears in the legend of Romulus and Remus, the founders of Rome and ancestors of the Romanians.
Oisteanu also explores the role of animals in the development of human creativity and imagination. He argues that animals are a source of inspiration and innovation for humans, who use them to create various forms of artistic expression: paintings, sculptures, masks, costumes, dances, music, etc. He also shows how animals are used to create fictional worlds and characters in literature and cinema.
For example, he analyzes the case of Dracula, the famous vampire created by Bram Stoker based on the historical figure of Vlad Tepes. Oisteanu reveals that Dracula has many animal features and attributes: he can transform into a bat or a wolf, he has sharp teeth and claws, he drinks blood, he lives in a castle surrounded by wolves and bats, etc. He also explains that Dracula is a symbol of the fear and fascination that Western culture has for Eastern Europe and its exoticism. ec8f644aee